Nari Nari Naduma Murari is a festive entertainer starring Sharwanand in the lead role. Ram Abbaraju directed the film, while Anil Sunkara and Ramabrahmam Sunkara produced it under the AK Entertainments banner. After the success of Samajavaragamana, expectations were naturally high for this Sankranthi release. The film aims to deliver family-friendly comedy with emotions at its core.
Story Overview
Gautham, played by Sharwanand, works as an architect in Hyderabad. He loses his mother at a young age and grows up under the care of his father Karthik, played by Naresh. When Gautham learns about his father’s late-age romance with Pallavi, he boldly supports the marriage. In return, Karthik hopes to see his son settle down as well.
Meanwhile, Gautham meets Nithya, portrayed by Sakshi Vaidya. She is the daughter of Ramalingam, a well-known lawyer played by Sampath Raj. Protective by nature, Ramalingam worries about his daughter’s future. Although he dislikes Gautham’s family background, he agrees to the marriage for his daughter’s sake. However, he insists on registering the marriage at a registrar’s office.
This condition creates complications. Gautham has a hidden past involving Diya, played by Samyuktha Menon. The same registrar officer Satyamurthy, played by Sunil, knows the secret. As a result, Gautham struggles to keep his past hidden while trying to move forward. The film revolves around how he handles this situation.
Analysis and Performances
The film mainly focuses on four key characters, and the director designs them neatly. The father-son track stands out and adds emotional depth. Naresh delivers a memorable performance, making his role as impactful as the lead hero. Sharwanand handles comedy and emotion with ease.
Satyamurthy’s character, along with Vennela Kishore’s role, brings consistent laughs. Their comic timing works well and keeps the narrative engaging. However, the film slows down slightly after the entry of the Diya character. Some scenes feel stretched, and the emotional connect weakens briefly.
Technically, the film looks decent. The cinematography by Gnanasekhar and Yuvraj is pleasing. Vishal Chandrasekhar’s background score supports the mood, although the songs fail to leave a strong impression. Editing remains satisfactory overall.
Verdict
Nari Nari Naduma Murari is not just a love story but also a humorous father-son drama. While the film has minor pacing issues, it succeeds as a clean Sankranthi entertainer. Strong performances, entertaining dialogues, and situational comedy make it a watchable festive film for family audiences.
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